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Chitlins
T-Shirt Tales
The Saturday Night That
Should'nt
Saturday Night That Wasn't
Fish Tales
Cock-A-Snook: Saddam Hussien Proclaims Iraq a
Christian State
Ship
Of Fools
Monday
Night Music
Uh
oh! English Rock Band In Chicago!
Gigs Gone Awry
Parties
Puerto Rico
Good
King Wenceslas - bunny wearing, slave driving,
wenching tyrant
New Orleans
and Baton Rouge
Swinging
Musicians of Lancaster Town and the Midwest US
Promotor
Another Saturday.
Another Sunday (or Mardi Gras) in the Windy City
Last Weekend
Krispy Kreme. A
Story of Love, Music, Chicago and Donuts!
Street Blues
in Chicago;
The Cotton
Club
Viva Las Vegas
Another
Saturday
The
35 Pound Monkey
Blues
For No One There
Cruisin
in The USA
Dancing
Iguanas
California
Scheming
Cruisin
in The USA
Would
You Like Ice With That?
Flights of Fancy
Chitlins
I've had slippery gizzards before - trekking
out to Windber, PA to buy a custom Chevy 20 van
for the band. Close to the historic town of Johnstown's
inclined plane railway that was built after the
dam burst of 1889. That event killed over 1200
folks. The inclined railroad saved about 500 more
souls when the dams burst again in 1936.
Well, the haunted Windber Hotel boasted one of
the few piss bars still in existence in the continental
USA - the patrons face a tiled bar and stand above
a trough running down the length of where streams
of wee used to gutter past your feet. Yes, spit
and sawdust behind, widdle in front. Slouch sharp
now.
A bearded fellow with a Pittsburg Stealers baseball
cap on, challenged me to a pickled turkey gizzard
eating duel. Alas, poor soul, was unaware of the
English predilection for roll mops herrings, pickled
eggs, cockles, whelks - and, afterall, I was feeling
pretty homesick at the time (I was also feeling
much Kentucky B. too),
Turkey gizzards and other gastronomic oddities
aside, it pains me to say chitlins are the foulest
smelling most disgusting, stomach turning, olfactory
offensive saddest part of the abomination of slavery
and Jim Crow that could come to a culture evolving
in isolation and on a diet of necessity. That
anyone could conceivably consider biting down
on this stuff without a nose peg, belly full of
disinfectant, activated charcoal, and iron filings
is beyond my humble comprehension.
It beggars belief. I thought I was oh so cool
to be invited into the heart of southside Chicago
culture, if not as an equal, at least as an enthusiastic
oddity. A white man from across the pond, someone
no one could be angry at (though we did supply,
ancestorily speaking, most of the wankers who
went on to to create the slave industry of the
Plantations). But I baulked at the chitlins. As
I approached the table I thought someone had died.
Pray, the smell comes from a misapplied past on
rodent under the bar's floorboards, but not that
mound of innocent noodle like excresences.
Nope. It was them. They smelled worse than they
should even considering their lowly role of dewatering
bovine manure before it is cast forth upon the
land.
My love affair with the black south side Chicago
culture took a momentary pause as I, nonetheless,
bit into a modest fork full of cow colon. Within
seconds the bite and the plate it had come into
town on, had discreetly been garbaged and a large
Cosmo was downed in immediate relief.
The taste was one thousand times worse than the
smell.
Well, so much for that piece of social commentary
from Chicago. I was going to go on about how bloody
cold it is here - car exhaust sticks to the street
like candy floss and smoke and steam from building
vents across the city is gray paint frozen against
a bloody sky. In fact, there is sheet ice on the
inside of our front door and windows, and even
with the front room heaters on you can see your
breath in the bedroom. At least my closet is the
perfect temperature to keep a case of Goose Island
Imperial IPA at the perfect temperature and you
don't really need to change clothes much because
you go to bed with the ones you have on.
Anyway, that said, I would rather drink a mug
of bad American beer with ice sliding down the
outside of the glass in this -20C weather than
warm my belly with chitlins. I guess some things
you do have to be born into.
T-Shirt
Tales
Finally got most of my clothes out of storage
(a flurry, a freeze and a gloveless walk to work
were all the incentives needed). As the thought
of enduring yet another Midwest winter led to
seasonal thoughts of packing it in and returning
to England, I started separating out my warm clothes
from the purely advertisal. A t-shirt purge in
mind.
Top of the pile was a cotton tent built to house
an all American large arse. It's the Wilton Ave.
block party where I learned I couldn't learn basketball,
but later played across the street in the grounds
of the old people's home only to lose a shoe to
a triumphant old lady who headed inside with it
neither shoe nor lady to be see again.
Next in the pile was a black fragment from the
Crystal Corner Bar in Madison, Wisconsin - signs
of jolly punters entering the club on the front
and the same lot lurching, lunging, binned, and
purgatively exiting on the back. That was a gig
with the great blues musician Lefty Dizz, who,
after the owner handed us all t-shirts, did a
shot of Wild Turkey with the band only to bring
it right back up. The first sign of his esophageal
cancer the complications of which were to kill
him 8 months later. A heroic blues musician who
had an infinity of riff based crunchers, who always
encouraged new players, and who still performed
even while undergoing chemo.
Then there was a musical shirt "Fish-a-wack
O!" named after a song about a Massachusetts
Indian Chief and a memento of a holiday romance
with a school teacher from Great Barrington, there's
a sweatshirt I printed with my band's name and
November gig date I wore while running the 1998
Chicago Marathon, there's a black "Chicago
Care's Charity" shirt from a charity gig
we did in '96, a sweatshirt from a half marathon
from '99 that half killed me (had a gig the night
before), oh, and here's a beaut:
"Martin's World Engine - "It's A World
Engine Thing - You wouldn't Understand It".
Don Martin was a colourful old Chicago cat. Hadn't
paid taxes since 1965, had a cousin who reared
catfish and marijuana down in Louisiana at a place
called "Space Park", and gave me a part-time
job cleaning engine valves when I was penniless
in '94. He raced speedboats too. Oh, and when
he got paid in lobsters for fixing a trawler man's
boat in Maine we had a great party of lobster,
catfish, and southern greens at O'Donnell's Tavern.
Here's a black Pan Celtic shirt. Ahh, fond memories
of the Yorkshire House celidahs. Jimmy McGuire
rest in peace, you were the best MC. There's a
"Blues Hounds" t-shirt - barely intact
- and the first band I was in at Penn State (other
than the "Bad Apples", but they were
so dreadful they don't really count), there's
one from the "Asylum" student union
battle of the bands from Penn State '91 (that
was "Little Evil and the Rhythm Saints"),
there's a blue "Left Undone" shirt.
Left Undone were a great funk band, sadly disbanded,
that afforded me the opportunity to play major
venues outside of Chicago culminating in the House
of Blues in LA (my contribution to that gig was
a kicked off shoe that landed somewhere in the
sound booth but wasn't recovered until the next
day leaving me hobbled for schmooze during the
after party - some old lady may have taken it).
There's an Aids Ride sweatshirt. The rural route
we cycled through Wisconsin was stunning. 600
miles in all.
Last but not least, and the only one of the lot
I ever paid for, a navy t-shirt for the Mike Watt
Band's "Third Time to the Mast" tour
of '98. One of the hottest shows I've ever seen.
So good I had to buy something (they'd sold out
of records while on the road).
Bugger, it may be summer soon enough, I'll give
these folks one more season in the sun.
Oh, hey, afore I forget the Convulsions are gigging
at the John O'Gaunt Wed. Dec. 17th and Boxing
Day too. We'll be teaming up with the explosive
Derek Jackson again at the Gregson on Sat. Jan.
10th. See you for a Yuletide tipple soon!
Cheers from Chicago, Ben
The
Saturday Night That Shouldn't
Playing back the recording two days later the
lead singer regretted not immediately destroying
the CD while he had the chance (the guitarist
heard it later that day and almost quit the band).
The show had started well enough that Saturday
night - the lead singer, while jumping up on the
Hammond organ, banged his head on one of the main
speakers and blood flew everywhere from his leaping
form. That outdid the Goth horror group of the
night before who had drunk fake blood from a large
chalice. Bollocks to that. Get real.
Then a guy jumped up screaming incomprehensibles
into the microphone. The bleeding band had missed
the opener and weren't sure if the interloper
was part of the earlier act. They didn't wish
to appear rude by kicking him off. However, on
the play back it was all to clear of the errors
of their ways. The fellow should have been dumpstered
after five nanoseconds. Fortunately, the good
folks in the Ghettobillies diplomatically forced
this fool's exit with violence at his next attempt
to grab the mic.
The harmonica playing wasn't too bad (thought
the lead singer). Alas, the play back showed that
most of the harmonicas used that night had decided
to go flat in that unsubtle way that they sometimes
do (metal fatigue of the reeds), and would only
really have charmed rutting cats.
After bearing, with mounting illness, the contents
of this evil recording the band leader was suddenly
delighted to hear the one song that always was
never "quite right" actually sounding
quite good. No mistakes - the difficult switch
from organ solo to the octaves in the first bridge
section worked at last! The solos ripped! The
recording ended unobligingly four notes away from
the end. The CD, brimming with awfulness, had
run out of room at the one decent song.
Ahh, if only the band, or rather the bassist,
the lead singer, and two thirds of the Ghettobillies,
had left it at that last song and GONE HOME. Don't
battle the night anymore. Quit. Leave a bad night
a bad night and just GO HOME.
But no, they all headed up to Lakeview Lounge,
home of the fabulous Night Watch band mentioned
warmly in these dispatches before, and a bar that
stays open until 5am on a Saturday. The band warmly
greeted the lead singer and his friends. A certain
well-meaning friend asked the band if these musicians
could do a turn on the stage behind the bar.
Alas they did, and as the American phrase goes,
"Dude, they totally sucked ASS!"
A 15 minute instrumental funk jam known only
to the guitarist who started it. The bassist playing
a line from another song hoping it would fit (it
didn't), the harmonicist finally realizing the
degree to which his instruments were now out of
tune playing very little of anything, and the
drummer really too drunk to play at all and who
ran out of the bar immediately after the Night
Watch bassist, Raoul, had succeeded in getting
the mess off the stage.
The bar owner berated the Night Watch band for
their selection of guests. The band in turn berated
the bar for telling them who they couldn't and
who they could let on the stage. The bar owner
then told them the stage was his stage, the band
replied that it was their show. Ten minutes later
and it was all screaming incomprehensibles. The
band quit and were also fired.
Although I have nothing personally to do with
any of this, and I'm merely relating events, I
have yet to set foot in the Lakeview Lounge since
that fateful night. Recent rumor has it that Night
Watch are still playing there every Thursday,
Friday, and Saturday as they had for the past
11 years before the clowns came in. I do hope
so. Because, as Bette Midler used to sing, "one
monkey don't stop no show."
©Benjamin Ruth, 2003
Saturday
Night That Wasn't
NOTE: Hey folks! This was the
article that was planned to run in March but got
lost in cyberspace. Seeing as it's only 5C here
at the moment there is a certain relevance printing
it now. Also, the next month's article leads on
naturally from this (that is to say other than
slurping a large amount of Chicago Beer in good
company at the Burnley Blues Festival last month,
I really don't have anything else to report!)
Most Chicagoans will confirm that living in Chicago
is like loving a person with bipolar mental disorders:
As long as the love light shines brightly in your
direction you can't conceive of a colder season.
Then as the fulmination of the incomprehensible
tumult of which you suspected nothing enwraps
you in the maelstrom, you vow to leave as soon
as the storm breaks. Well, maybe not that bad
- the cold winters are one thing though, but the
bloody springs!
Of all the "dark times" in Chicago,
the month of February starts the seasonal nadir.
Even in the first days of March the high temperature
during the night may be only -15C. The hardier
frontier folks go about outdoor winter exertions
in this "spring" with no thought to
cheek cracking, snot freezing cold. Not me. Folks
like myself eschew all chilblain bravery for a
moribund winter life of sloth and semi-hibernation.
The churning, clattering, spinning wheel of an
exercising hedgehog in a friend's apartment were
a derisory torment to my larger mammal malaise.
And it's Saturday! Oh the choices! A party at
5025 N. Clark for a young CNN producer's 26th
birthday. A vivacious redhead and one of those
dancing behind the bar at Lakeview Lounge in February
(see these ramblings do have occasional coherence).
An opportunity to harangue a bunch of American
media gurus doing nothing obvious to question
their country's impending hegemony in the Middle
East was tempting but no match for the excitement
of introducing seven overseas Sicilians to Lee's
Unleaded Blues on their last night in town.
A twenty mile drive down south and, bollocks!
For the first time in seven years, Lee's asked
for proof of age. One of the Italians (the cutest)
had no passport on them. No entry. What an inspiring
last night for them! You can guess what they thought
of their sodding last night in the land of the
free! Bollocks, here we go - this is why this
is not a very musical article. Not through want
of bloody trying that's for sure! Bloody stupid
drinking age!
Yes, here we go! I mean, here you have ONE state
(New Jersey) deciding to blackmail all the others
in the 1980's. NJ jacks their drinking age up
to 21. The number of teenagers killed in driving
accidents across NJ state's lines to get booze
now quadruples. NJ hypocritically points to these
accidents and hollers the cry of abstinence, temperance,
and accuses their neighbouring states as being
responsible. The Reagan federal government then
gets involved and refuses to hand out highway
construction funds until ALL States increase their
drinking age to 21. 1984 (Ha! - 1984 for Chrissake,
think about that!) and every state in the union
ends up with a drinking age of 21. Every last
one of them! In the meantime these righteous twits
have helped cause the deaths of 1000's of US teens.
These are the same asinine prats who, when building
new housing estates, have enacted laws that make
it illegal to place a bar within walking distance
of a residential community. Oh, there's progressive
thinking for you! Now the residents have to DRIVE
to get a beer. The Door's 1971 "Roadhouse
Blues" says it all. You drive to drink -
if you have time and dosh for some tarts, "back
of the roadhouse they have some bungalows",
then bloody marvelous.
Sounds familiar? Welcome to the wisdom of US
policy here and exported everywhere (don't even
get me started on the American Dream - where anyone
who owns land has to pay tax on their property.
As high as $15,000 a year in some cases. And did
you know this? State schools in the US are paid
for by property taxes. That means poor folk's
kids are in the poorest schools, while the kids
in richer neighbourhoods get five times as much
dosh per pupil per year. Did you know that in
Chicago, over 90% of all children in the Chicago
Public Schools are minorities?)
So much for music on a Saturday night. Got a
puncture cycling home at 3am while the snow swirled,
found the replacement inner tube was punctured
and re-patched that (while the snow swirled),
covered a good going out shirt with salt, snow
and road grit, white tornados froze my fingers
to the thick grease bike chain. Hmmm! All topped
of with the exquisite joy of feeling the sub-arctic
air whistling through your helmet cracks! Finally
got the bike on the late night road amidst, by
this time, twirling frozen ammonia flakes. Then
slowed down, quickly and inexplicably, falling
off in a conveniently placed puddle of brine at
Western and Augusta.
Solution? Unwrap a 30 times wound sodden frozen
bootlace from around the right pedal's swindle.
So Saturday was a wash. Fortunately, Brother
Brother's 12 piece funk band have started playing
every Sunday at the Lyons' Den. And they are bloody
incredible! And they'll just get better each week.
Chicago, you wench - one great band for free when
its -16C outside and you think that will convince
me to stay???? Bugger, bugger - wait 'til next
year! One more year - that's all I swear!!!
Fish
Tales
So, Dutch boys used to use eel skin to tie their
catapult rubber to the forked yew frame, Candirus.
is an Amazon catfish small enough and suicidal
enough to swim up the urethras of an immersed
human peeing, folks living around Lake Malawi
eat chironimid cakes, Nile perch in the same lake
wipe out hundreds of cichlid species - those hundreds
of colorful fishes evolved in 60 million years
from an "Adam and Eve" couple that found
their way into the new lake. Tuna muscle has such
a density of mitochondria, and their counter-flow
bloodstream is so remarkable in the fishy world
that they maintain a body temperature greater
than the surrounding seawater - they perhaps evolve
towards warm-bloodedness. Dolphins race with them
for sport. Eels have a sense of smell greater
than sharks and second only to bloodhounds. Elasmobranches
(sharks and rays) use urea as an osmoregulator
instead of salt (hence the suggestion that you
soak shark steaks in water before cooking them).
Eels. The American eel, Anguilla rostrata, was
definitely the smarter of the two compared to
the unfortunate European eel (Anguilla anguilla
- the Europeans at least got to binomially name
them first). As the Atlantic ocean opened up from
the Sargasso Sea a huge few million years before
the African rift opened up Lake Victoria (now
Malawi), those European eels found they had to
travel further and further to reach their freshwater
(now European) growing grounds while the American
eels had a relatively short jaunt. Three centimeters
a year is not much. 65 million years later . .
. . . . ~ 4000 km (3cm each way).
Samurai warriors were trained as teenagers to
jump over maize seedlings. By August the maize
plants were 6 feet high. Eels leave freshwater
and swim over three thousand miles from Europe
to spawn in the Sargasso - without eating during
the entire trip.
30% of folks in the USA confuse thirst for hunger.
And now the over-fished Antarctic Chilean Sea
bass has been found in the Artic circle - the
furthest journey known to be taken by a single
fish.
You could walk out into the sea with gill nets
in Felixstowe in the 1930's and catch herring.
Hundreds of them.
Talking of fishy tales - Americans LOVE clams.
Brits do not, and yet our deep dark boggy salt
marsh muds abound with them. As do our waters
with eels. Japanese aqua-culturists have managed
to breed eels in captivity by treating them with
chicken sex hormones. Heck, even truffle farmers
in France are getting closer to the cultivated
truffle.
Our worldly demands are so disparate in fishy
manners.
Carp are prized in England. They are shot with
bow and arrow in the States when they spawn and
tossed on the bank in disgust at their blameless
invasion. In much the same way Zander are tossed
on the bank in England, yet are prized game fish
in the US (where they are misleadingly called
walleye pike - they are not pike at all, but part
of the perch super-family which includes sea bass
and Nile perch).
Where you were in the past and how you behave
in the future are very fishy things.
Humans are very fishy things, but at least we
have strong mitochondrial laddend fishy leaders
who all believe in one thing at least.
Alas, fishes can't drive SUVs or play the Skate
Wing Hernia Blues. "Like a big blue catfish
swimming in the deep blue sea". "Like
a one-eyed cat (El Gato Puerto in Habana, Cuba)
peeping in a seafood store, I can look at you
- 'tell you don't love me no more." Them
big fishes gone taken away all the fun for us
small fry, whitebait, fried smelt, and chicken
feed. My dear school of minnows, we seem to be
swimming further and further to get to where we
want to be. And when we get there it tastes like
pee. And our individual effect on the world as
its leaders go mad seems singularly as powerful
as the effect of an eel larva on continental drift.
Saddam
Hussein Proclaims Iraq a Christian State
In a move redolent of England's Henry VIII's
Reformation when the good Platagenet king thumbed
his syphilitic cock at the Pope Clement VII in
1534, SH, The Maniacal Overlord in Waiting, informed
his country today that henceforth, Iraq was "born
again". SH, The Global Terror Miester, had
"seen the light and the light was JESUS!!"
According to Baathist sources who spoke to Western
journalists under penalty of beheading (if they
didn't), SH, The Great Holocaust Hastener was
inspired by an article in the Sydney Gazetteer
about an apparition of the Holy Mary appearing
in a 15 year old fence post in Queensland. Reporting
of similar apparitions in the US have not impressed
the secular Iraqi regime, but once the respectable
Aussies got on board, the Oily Magnificent is
said to have been taken over by a spiritual epiphany.
Although the Great Despot maintains that the
government will still be run as a secular entity
and that other religious interests will be allowed
to barely coexist in Iraq he is encouraging, by
necessary force, the adoption of Christianity
as the country's religion of choice. The Magestic
Megalo maintained that, just like the US, there
will be a complete separation of Church and State.
Like the US for example the secular Government
can invoke "God's decree", or "God's
Right", or "God Told me to F**k You
Over Because We Are God's People and you are Chicken
Shit" whenever they see fit and without any
prayer services or religious leaders' blessings.
In an interview with Nimbus Broadcasting Company's
anchorwoman Elizabeth Poutface, the Axial Evil
One denounced his country's little understood
Arabic religious philosophies as alienating his
people in a time of great crisis.
In a passionate outburst similar to a that of
a "saved sinner" at a Tennessee Evangelical
meeting, the Poison Gas Guru, described how, over
a plate of burned falafel, a vision came to him
of a quiet and dignified man in white cloth and
sporting a halo who said unto him;
"Oh Evil Bastard Who Would Flay and Cannibalize
The World's Children - hear the cry of your country's
people! Hear your country's plight!! I am you
Savior in your hour of great need!! LOOK! Look
to the soil underneath your feet! Feel the coarse
sand that robs your people's fields of their crops!
But look, LOOK! and feel the juiciness of this
wonderful land's blood as it squeezes between
your tosies!!! Yes! The land wants to set your
people free! Follow me, dedicate your life to
me - and see how the Righteous Ones in the West
have my blessing! They are the true, the blessed,
the meek, and the humble that would inherit this
YOUR land. But when they see that you have turned
to me, their anger will be as mutterings at a
1-point stock slump on the Great DOW Jones.
Yours is the True, the Real Land of Great Potholes,
of Large Rocks in the Highway, of Arid Tracks
of Red Desert Torture, of Impassable Mountain
Trails where only the Massively Tanked and Wheeled
can pass. Yes! IT is IRAQ that is the chosen country!!!
My Peoples in The Great Land of the Free and
Incarcerated has conveyances, no matter how humble,
that would serve me, their master the best!"
"Yes" - the apparition said to the
Galactic Overlord in Waiting -
"Follow ME and SET YOUR PEOPLE FREE - FOR
EVERY IRAQI A CHRISTIAN BLESSED BRAND NEW SPANKING
. . . . .
S.U.V"
Ship
of Fools
Ship of Fools / Pirate bar - well trained crew.
They had the Venetian blinds down before 11:30pm.
Bar's opacity well achieved. No light shall escape!
Duct tape smothered the escapes of illicit yellow
splashes into the suspicious Wiltshire countryside.
The band played until the band couldn't play
anymore and the dancers couldn't dance anymore.
Oh! So naughty! Names and locations withheld
to protect the criminal from the Dance Puritans.
James and I twisted to music we made up a capella
on the bar stools
Alas the crumpet had left. Sensibly so I guess.
The lifelike motif of Jimi Hendrick's and his
guitar on the wall behind the stage was moving
too by 2am.
Later, another place - names and locations withheld
to protect the naughty - we danced on the ledges
behind the bay seats. It was half past one. The
girls invited us back to their place and we danced
(well James did, I talked a lot, Matt didn't talk
at all, and Mike table dusted with his head. Side
to side, sweep sweep bottle caps flopple on the
floor).
Girls went to bed leaving us on the hard cold
floorboard. Sensibly so I guess.
Then there was the table dancing, stool prancing,
Cuban rum pouring, lass dancing on the table on
your back.
Yes. Another bar, another place (name and location
withheld to protect the naughty). Of course, that
kind of going on would never happen in Lancaster.
No. Not allowed you see - dancing police everywhere
(ha ha ha - there's a jolly thought - dancing
police!)
Later, another place - names and locations NOT
withheld to protect the naughty. It's back in
the USA and the Nightwatch Band playing Jimmy
Reed's "You Got Me Up . . ." behind
the Lakeview Lounge Bar at 3am in Uptown. Half
the bar joining them on the cramped stage. The
owner explaining as we left at 5am - "maybe
I got a little drunk tonight, but I just wanted
to see you all dancing!"
Lecherous git! I bet you did! There were half
a dozen brazenly revealing sinuously moving voluptuous
women up there loving life (and to a noticeable
degree each other).
But the women left, sensibly I guess.
Oh, remember last issue's burblings? ("Flights
Of Fancy"). Well the infamous Paul Foulsham
was at this Lakeview Lounge too - he'd heard my
band was playing at the Goose Island Brew Pub,
and that the beer was free for friends of the
band, and so he flew over on a tipsy whim. Ha
ha! All time audience member award.
Right. I'm not a particularly political fellow
- but the entire USA is being completely bloody
hoodwinked by some seriously lunatic berserk bestial
baboon breast beating dinosaurs of an age that
should have withered with the onslaught of love
and reason. We're in a world besieged by the impudent
stupidity of the greedy tribalistic Megalomaniacs
of the new Corporate disorder. F**k OIL. The reason
of alternatives is forgotten and the rush to chaos
has begun.
Sorry for the interlude - the Bush speech tonight
kinda triggered a delayed response to my otherwise
jolly writing.
That said, at least the bars here in the USA stay
open late. And dancing doesn't require a license.
Neither does a bar with a few folks playing acoustic
guitar if there is no charge at the door. I don't
usually get political, but I wish US folks here
could hear a reasonable debate about the Middle
East (ask Americans if they heard about the World
Summit and you get a blank look, ask them about
Iraq, Bush and Oil and you get understanding,
but you won't hear oil discussed on the media
ANYWHERE not even National Public Radio - those
NPR programmers should hang their head in absolute
shame, and quit in the name of human decency).
Anyway, for all of you reading this who don't
know about the catastrophic anti- live music legislation
planned for Britain, please take some time to
sign the email petition. Its fantastic enough
that our Enlightened Leader has deemed it a good
idea to drag Britain into Americas' oil garnering
mayhem for whatever scrotally grabbed reason (because
a sane fellow would only kowtow to the USA on
this one if he was having his nuts crushed) BUT
to cut back on our musical expression at a time
when we need it most thanks to his plonkerish
foreign policy, we now face possible emasculation
of live pub music and more throughout the land.
Yep! In order to dim our musical escapism from
the mess Bush's Poodle is helping create for y'all,
ALL live performances (solo and duo music, theatre,
comedy, juggling, the works) will now require
an entertainment license, levied by local authorities.
Unless you agree it's finally time to usher on
the death of live pub music throughout the land,
I suggest you DON'T take some time to go online
and sign this one! After all there ain't enough
techno nightclubs in the country yet are there
(they're exempt I believe).
http://www.PetitionOnline.com/2inabar/petition.html
Did I start this off entitled "Ship Of Fools"?
I guess I did. Boy, do you remember getting shanghaied,
I don't?
Cheers, Ben
"Flights
of Fancy"
"I'm sorry Sir, but you can't drink that
here." The rather prim stewardess on the
Air India flight pointed out to us as we slurped
through our duty free. Fortunately, there was
quite a bit of "turbulence"" on
the flight - "whoops, there goes yet more
duty free rum flying out of the bottle, quick
John catch it with your glass, Yaron, you too,
Matt, quickly, catch it!"
Needless to say, the rum was successfully and
repeatedly captured in all four of our plastic
cups. Alas, with no one to meet us at Heathrow
(August Bank Holiday), and a ton of bloody musical
paraphernalia to cart through the London Underground,
the London Overland system, and a half mile trudge
through the rain to my mate's flat in Wimbledon
we wished we had stoppered the rum somewhere over
the North Atlantic.
Air India - use them at your peril. And not because
of the rum episode. An organisation that is run
by the intimidation of its employees is never
one likely to please the needs of the punters.
They don't take credit cards to pay for flights,
are usually greatly rude at some point during
your trip, and are complete b**stards at head
office. We found out, weeks after buying our tickets
that our return flights would not be honoured
because our connecting flight from Manchester
to London had less than a two and a half-hour
stopover (they were an hour and a half).They just
decided to change their rules and go hang the
customers. We had to change our flights with BA
in order to get back to the US.
Delta has stopped giving free drinks on international
flights, so hang them too.
Foreign Entertainer Work permits - by declaring
ours we were (well my travelling companions were)
nearly all sent back on the next flight simply
because they had work permits. They were not for
the entire time we were over here, and immigration
at London told us the return flights to the US
had to be within two days of the last date covered
by the work permits. Eventually, Pete's honeymoon,
and John's visit to his girlfriend seemed to sway
them and they let us through with 10 minutes to
catch our connection to Manchester. I looked at
all the fine print regarding our work permits
later and determined that there are no written
restrictions whatsoever - especially for visa
waiver countries like the US and the UK. London
Immigration were merely being d**ks.
British Airways - more like "Baggage Away
ways".
While we were having fun with the Immigration,
BA had our baggage sent to another destination.
It took nearly a week to get it forwarded. That
sucked for the Pete Special Trio because all the
CD inserts for the albums we were selling were
in the lost luggage. Folks still bought the CD
but we ended up having to post loads of inserts
to them later. Oh and when we did get our luggage
back it looked like it had been through a tumble
drier with rocks. Anything breakable (including
my samples of bubble wrapped bottles of Chicago
Goose Island beer) was shattered. My Himalayan,
Rockies, all terrain, intergalactic alien attack
withstanding rucksack was destroyed (though BA
did replace it with a cheaper smaller version).
BMI - I do like them. Last Christmas I was tying
flies for my dad (avid fly fisherman) on the flight,
when one of the stewardesses asked what I was
doing.
"Oh, my friend working in First Class fly
fishes, do you mind if I invite her over to chat
with you?"
Five minutes later I'm deeply engrossed in conversation
with a truly beautiful woman - about fly fishing
for cut-throat trout in the Colorado Rockies.
I tied her several different flies to try out
there and was rewarded with a bottle of champagne.
That's flying!
My friend Paul Foulsham in London (who is wont
to occasionally fly to the US, or anywhere for
that matter, on a binge inspired whim - God bless
him) always asks to be seated next to an attractive
woman. He claims that this indeed usually results
in his being sat next to an attractive woman.
There is a definite social co-evolution at work
here now as, subsequent to the many binge inspired
flights of Foulsham, many ladies have learnt to
ask NOT to be seated next to a boozed up Aussie
male who falls asleep on them and plops his right
hand on their nearest mammary.
On a completely unrelated note, now that our
Chicago drummer Matt and I managed to fly here
without ANY event at all (BMI) it merely remains
for me to list the UK dates for my band in the
Lancaster vicinity for this year, and to wish
you all a very happy and jolly New Year. See you
at the John!!! CHEERS!!! Ben.
6/1/03 Mon. Fleetwood Bowling Club Fleetwood
Bowling Club, Upper Lune St., Fleetwood 01253-873903
7/1/02 Tues. Otley Junction 44 Bondgate, Otley,
W. YORKS, 01943-463233
8/1/02 Wed. Lancaster John O' Gaunt 53 Market
Street, Lancaster
9/1/02 Thur. Lancaster Ring Of Bells 52 King St,
Lancaster,
MONDAY NIGHT
MUSIC
The band is doing
well just nailed a gig at the Blind Pig,
Ann Arbor, Michigan, and we played a gig at the
Chicago Blue Note on Paddys Day that was
very well attended (helped that we had a pre-gig
party near the club with free, really good, beer).
I have seen two marvelous bands in the last two
weeks; Joanna Conner at the Harlem Lounge (superb
guitarist her hollow body slide makes me
melt), and the Tower of Power equals, Brother,
Brother, at the Lyons Den. These were all
weekend events, however, and you would expect
some musical juice on Fridays and Saturdays in
Chicago (unlike England, folks expect live music
at the weekends here). That is not to say that
during the week you cant see some terrific
shows.
For example, Monday
nights in Chicago you have the high energy funkadelic
sounds of the Robert Cornelius Band at Schubas
(one of the singers for Poi Dog Pondering), The
Whisky Hollow Bluegrass band at the Hopcat Brewery,
Chicagos best known blues jam at Buddy
Guys Legends, and the dulcet tones of the
Patricia Barber Quartet at Al Capones old
speakeasy, The Green Mill. These events all take
place in venues well equipped for the thirsty.
So what the bloody
hell am I doing in a boozeless coffee house listening
to a woman loudly lament the departure of her
girlfriend for another woman, a limp lank haired
fellow comparing his love life to a parking meter,
and an unintelligible caterwauling disharmonious
trio of acoustic guitar battering blokes sharing
a common disease of disnonounce and not a common
chord between them?
I look at my date
and shes biting her bottom lip. Weve
downed three cups of coffee in 15 minutes. Im
biting my bottom lip too and its
trembling to let go. Each performance is 5 minutes
of eternity taped for a media event entitled "Chicagos
Song Writers Showcase". Ive been
invited to attend, and all I want to do is go
up there and be John Belushi in Animal House when
he takes that hippies guitar and smashes
it to pieces (though I would like to do this "musically").
Heather suggests I perform a customized version
of "Old McDonald had a Farm" replete
with harmonica farmyard noises. I notice the list
of musicians; people have not been asked up in
the order in which they signed. The last plastic
melting straw and we leave instead. Running down
the street screaming.
AAARRRGGH!
Try and avoid mixing
music business with pleasure is an axiom I should
have learned by now. Trouble was I really wanted
to go out with Heather, but I couldnt pass
up the chance to meet folks in the industry, and
I had practice Tuesday and Wednesday, so Monday
seemed the ideal chance to combine the two. At
least Id warned her that this could be really
totally not a good idea, not something I would
normally do, but that we could duck in and duck
out if need be (and at least check out some live
music in the neighborhood).
Great. Id never
expected that venue to be caffeine stricken boozeless.
And it took 20 minutes to find parking! The other
music in the area was not too fulfilling: The
band in The Morseland was a goth metal distortion
thing, and the jazz band at The Heartland was
a barely audible elevator mousse.
"I know a really
good band at Schubas. Honest!" I offered.
"Really. After
that I need some wine. Why dont you let
me take you somewhere instead?"
How could I argue
with that? Defeated! Heather directs us to The
Webster Wine Bar. Monday music plans shot, but
at least a damn good sample tray of SW Australian
Merlots or Shiraz awaits us.
We walk in, and theres
a band playing!
Theyre cracking!
Theyre really
good.
A vocal reworking
of Eddy Harris "Sidewinder". Marvelous!
The wines terrific too! The place even has
coffee.
(If you wanted it)!
© Ben Ruth 23rd March
2000
GIGS
GONE AWRY
Most gigs are just
fine, some are bloody marvelous. However, along
with the really good ones its the crap ones
that often stays in your brain with greater alacrity
than any euphoria laiden musical ecstasy pleasure
ride.
The Girl Who Wanted
to Rock
It was one of our worst shows ever. The clubs
name was the Cabana Beach Club (now the superb
Beale St. Blues Club) in Palatine. The sound guy
was very high on cocaine and had endeavoured to
surround us with searing high end white noise
static. We had not rehearsed recently, and it
was obvious. I had not worked out recently, and
it showed. We played with malaise showing glumly
through the fake energy. "What are we doing
here?" I asked our drummer of the night,
Joe Dorenbos, on our torturous penultimate number
wobbling as we were on an hour and a half of sanity
sapping musical stodge. He couldnt hear
me. We leapt, or rather loped, into our final
number of the night, an original, and in this
case absolutely appropriate, "What are you
trying to do?"
Determined to at
least go out with something akin to a high note,
with what little energy I had left to muster ,
I leapt off the stage and started my harmonica
solo on the unoccupied dance floor. To my utter
amazement, this rather attractive girl, obviously
extremely drunk leaps on me, flings her arms around
my neck and her legs around my waist and hollers
into my left ear, "I bet you like to f**k!"
At that moment it
was all I could do to hold on. She was quite shapely
and was sporting the "rock chick" look
of tight black lust above the knees slit skirt,
and a partly unbuttoned blouse pushing a revealing
glimpse of lacy black bra covered juiciness into
my chin. She wasnt overly large, but I could
feel each and every 145 pounds of her voluptuousness
dragging my shagged, exhausted frame to the ground.
I thought to avert the embarrassment of dropping
her by twirling her around to balance her weight.
Mistake that. Thinking I was getting into this
and that I was some strong rock dude, this girl
lets go of her arms around my neck and flings
herself back. I have no choice but to spin her
faster to try and keep her head off the floor.
Closer and closer, faster and faster. Pretty soon
her hair is touching the floor.
Now weve all
read the stories, or watched the movies, where
the hero reaches deep down inside of himself,
and taps that last residual reservoir of super
power to save the heroine, and incidentally the
whole world. I didnt have a girl friend
at the time and so wasnt totally unattracted
to the idea of this girls erudite invitation.
I really didnt want to spoil my chances
of that electric first meeting by bouncing her
head along the floor. "Try to be a hero."
I told myself, "find that extra strength!"
I really tried. Oh well, the girls head
started bouncing along the floor. I let go. We
landed in a pile. The band still played. Some
rock dude obviously much more of a man than I
picked her up. He said something rude to me. She
left with him. I was the only ride back to Chicago
for the coked up sound guy who yabbered non-stop
about all that was wrong with our show, and how
we should present ourselves in the future. I should
have told him how he shouldve avoided mixing
cocaine with sound, and conversation to a pissed
off musician, but I didnt. The club never
booked us again.
The Bloody Mustard
Incident at BW3
Now I dont know if this restaurant cum sports
bar chain has made it to the UK yet. Hopefully
not. However, at the time, our band had cause
to be grateful to the place because the BW3 in
Chicago had offered us fortnightly gigs with a
pretty good guarantee. However, it was a little
disconcerting playing to a bar full of eating
people, and later to a bar full of eating people
watching huge screen sports instead of us. Fortunately,
I suppose, our pride droop of playing at this
club was destined to be short lived.
Middle of a harmonica
solo, in walks a very drunk, 66" tall
fellow who appears to think it would be very funny
to sneak up behind me pick me up and place me
on his shoulders while Im playing. This
he does, I roll with it, and him as he staggers
around, the bar. He has at least gotten the attention
of most of the people in the bar which was more
than we had managed. Then he does something altogether
not nice. He picks up a full squeezy mustard bottle
off one of the tables and then proceeds to ejaculate
mustard over as many folks sitting down as he
can. It was like a scene from a horror movie.
People screaming, running everywhere but
no blood, just the yellow of mustard. Everywhere.
My clubbing the guy on the head with the microphone
and screaming at him to stop worked to no avail.
A flying leap from the assistant manager downed
the fellow before he can reload. This sends me
flying into a wooden pillar. I make my way back
to the stage. The band is still playing. We finish
the number, the stage drenched in mustard, and
ketchup. Ketchup? Turns out I busted my elbow
a bit on impact with the pillar. Still, a colorful
set.
CD Release Party
If you are going to concentrate everything that
can possibly go wrong into one gig it may as well
be your first CD release party.
We had to sub our
great bass player with a local record label owner
whos forte was really guitar. Both Scott,
our guitarist, and I had the flu (the real stuff
at 102F). The sound guy appeared to be similarly
afflicted by the flu, but mainly in his ears.
Our guitarist broke a string on the first song.
This is minor. So was my picking up my harmonica
on the first song and blowing the high end first
(by picking up the harmonica upside down). My
amplifier burning out in the beginning of the
second song was a little annoying I now
had to play through the vocal mic and the monitors
were SCREAMING and the sound guy, the flu now
affecting his eyesight, was oblivious to my visual
cues. The mic cable now lay across the set list,
in fact right across the third song. I remember
this part quite well. The third song was meant
to be "Watch Your Step" (good advice
sometimes) in the key of E, fast tempo, rock beat,
whereas the song I enthusiastically introduced
(Rufus Thomas "All Night Worker")
was in the key of B, medium tempo, country two
feel. I played that while the rest of the band
played the right song. It took about 60 seconds
of eternity to play the same tune simultaneously.
The fourth song was
"Help Me", a Sonny Boy Williamson classic.
Very straight forward and "usual". Unfortunetly,
the bass player played the progression unusual
and rather wrong right to the very miserable end.
Towards the end of
the overall misery, Scott and I, pouring with
sweat and practically delirious with flu and despair
leapt off the stage and danced with all who would
dance with us. Finally freed of the screaming
microphones, I screamed accapella to folks finally
happy to see us do something, anything, with balls,
(and in time, and in the right key)!
There was a critic
from one of Chicagos major newspapers (The
Chicago Tribune), another from the main Chicago
entertainment guide, The Reader, and one from
a local fanzine called "New City". We
seriously considered changing our name after that
one. As well as leaving the country. The New City
actually reviewed us favourably the other
folks didnt even stay to say hello and goodbye.
Jameson and the
Large Bruise on the Bonce
As long as Im on the subject of personal
musical injury, I can think of no better story
to cause my folks to clammer for my return from
the captivation of energetic musical expression
than the evening of the day I quit my job. I hadnt
actually told my boss I was going to quit, and
I hadnt decided just exactly when I would
quit (a year and a half later as it turned out),
but of one thing I was certain I was going to
quit and I needed a drink. Fortunately, my band
was in the middle of playing a backroom season
at AliveOne every Wednesday. For this we were
not paid much, but the owner was always willing
to make his bar pretty much available to us. Especially
if we joined him in his favourite drink: Jameson
Irish Whisky.
To cut a long story
short I was soon roaring drunk. As the show went
into the second set I let all my frustrations
with my lousy boss be translated into jumps. I
jumped on the stools, the tables, the window ledges,
the bar. I bounced all over the sofas they had
back there (most fun). I bounced off of one very
wobbly table that gave me a little concern at
first, successfully, and right into Scotts
guitar neck. Head first. Clunk! The band played
on and after a momentary black out I was able
to join them.
Having a wallop on
the cheekbone can be very useful if youre
too hung over to go to work. It didnt hurt
much at all but it was a priceless work of pastille
bruise shades. Realizing the opportunity, and
knowing full well I wasnt going to hand
in my notice just yet, I called my companys
answering service, left the appropriate message,
and took two days off. I went in on Friday afternoon
just so they could see the "damage"
and was promptly told to go home again.
The Telephone
Kiosk Groin Wrencher Table Buster
Kerouac Jacks, a pleasant place to eat and
play. Sometimes. On this particular night last
winter, our encore number of Bo Diddleys
"Road Runner" had just reached the "
. . . . . see you baby, somewhere hanging round"
part that requires me to look around for a suitable
perch, beam, fixture, ledge to hang from before
the bands last crashing crescendo at which
I fall to the ground. Trouble was, the back room
of Jacks was seemingly devoid of anything
other than the overhead heating ducts which are
not a stable option. Searching around desperately
(planning ahead gig acrobatics is something I
should do more frequently) I noticed that the
phone kiosk, the top of which just clears the
ceiling, was just enough room to squeeze onto.
Or so I thought. Its while doing the last
bit of song banter straddled over the kiosk that
I became stuck. Realizing my predicament, a friendly
fellow grabbed my legs to try and pull me back.
Unfortunately, what was really causing my stuckness
was the way a certain part of my anatomy had found
itself lodged, sandwiched, and pivoted between
the double wooden surround atop of the kiosk.
A delicate matter, I didnt feel inclined
to explain for all to hear on the microphone the
reason for my apparent disinclination to be dragged
off the top of the kiosk. But dragged I was. Slowly.
This was the first time I was ever aware of just
how remarkably pliant, plastic, mutable this part
of my anatomy could be. Probably because the pain
involved in such distortion would preclude such
investigation under normal circumstances.
Determined to hide
the pain, I crouched and leapt, onto one of the
tables for the grand finale. The table imploded
into two neat halves which whacked me hard on
both sides before the inevitable mess of wood
and limbs became unextricated to the roar of approving
drunken applause.
The Draught Behind
At The Beat Kitchen
This was one of the first gigs we had in a club
recognized for music (as opposed to the number
of big screen tellys, Sat. night Karoake, or summer
pig roasts). The Beat Kitchen has a terrific sound
system and a sound guy who really knows how to
use it. A double first for us, and, along with
a crowd wed worked very hard to canvas,
reasons enough for the added exuberance of the
performance.
About the third song
("Devil with a Blue Dress" as per Mitch
Ryder) I was doing some leaping around on the
tables, when I noticed there was a magic about
the audience: expressive happiness, levity, enjoyment,
and all aimed at you, the performer. As I broke
the song down I commando crawled across the dance
floor, Howling Wolf style, leaping back onto the
stage, and basically just going nuts, and revelling
in enjoyment of all this crowd adulation, even
though it was tangibly more light hearted than
our brand of RnB usually engenders. Towards the
last verse, Tom Sorich, our drummer at the time,
skipped a beat which was very unusual for him,
and thats when I noticed the draught.
My black suit trousers
had split from the waist band, down, and around.
I was wearing whities (scavengings of my last
clean underwear before succumbing to the need
for laundry) for all to see. And all there had
seen. I was able to incorporate some ad lib to
the occasion, but without any change of clothes
at hand I was obliged to continue thus partly
exposed for the next two sets.
Miscellaneous
Misery
We played a gig at a bars outdoor festival
in Moline, and then got stiffed because it opened
on the same day as the city of Molines own
festival that was free (so no one showed up at
the bar). We then drove five hours to Bloomington,
Illinois, a small college town for our next gig.
En route, both vehicles broke down at great expense
(the van was the most spectacular because it actually
caught on fire). Somehow we started the gig on
time with just drums, harmonica, and acoustic
guitar before the rest of the band arrived in
a tow truck. Judging by the audiences approval
we pulled that one off. The club owner stiffed
us anyway because;
"You didnt
start with a complete band".
Several times we
have arrived at a venue to find another band set
up (Subterrranean, Hidden Shamrock twice). Theres
showing up to find the bar is closed (Czar Bar,
Sam & Joes). Showing up to find the
bar is not only closed but condemned as well (Lower
Links). Having just a god awful stage mix, and
at the end of the set the sound guy is packing
up, looks at your amp and asks, "Oh, is that
yours?" (Round The Coyote). Theres
the sound guy who used to work at a heavy metal
club: he turns up the band on the main mix, the
neighbors complain to the club, the club
owner is furious and complains to the sound guy,
so he tells him we turned up our amps. Gig gone
(Map Room).
Never underestimate
the joy of playing outside: Outdoor gigs and rain.
Outdoor gigs with no generator. Outdoor gigs with
one generator that blows up but the organizers
still want you to play your electric guitars,
electric keyboard, and anything else you cant
plug in anymore. Outdoor gigs 180 miles away,
incorrectly sign posted so you drive around, arrive
two minutes late and theyve canceled you,
you start back with no pay, get two miles out
of town and get a traffic ticket, you then drive
85 miles the wrong direction down the interstate,
while the hot stares of your fellow musicians
get hotter.
Oh, the superlative
experience of your majestic freedom or expression
in a rock and roll band!
PARTIES
The
execrable stuff had lurked malevolently on the
bottom shelf of the refrigerator for over five
months and three band parties ago. Abomination
in the world of alcoholic beverages, its presence
had spurred the creation of a drink rider on all
our party invites since. "If you like really
good beer, great, bring it on in, if you like
crappy beer dont worry we have loads left
over from the last soiree." Mexican beer,
bad Mexican beer, with lime juice and sugar added.
Thats Tequiza for you. Pray it never crawls
with the cactus meal worms it was begat from across
the Atlantic.
Now, at 7:30am on
a fuzzy Saturday morning, with 9 gallons of champagne
punch, a barrel of Samuel Adams, a barrel of Red
Hook ESB, and five bands, all totally drained,
I finally saw the chance Id been waiting
for. Wreckin Ball, Chicagos only pschyo-billy
band, had turned up after closing Tais 4am
Lounge, and had drained the booze theyd
brought. Surely these self-avowed manic alcoholics
would drink this stuff. Surely!
Joe Tozer 64"
owner of the Lyons Den had just arrived
to find nothing left of the keg of beer he had
donated for the cause (since the first time we
walked into his club to play with about 100 happy
partiers he has been a jolly, actively participating
sponsor of our somewhat legendary soirees) and
was standing nearby after an impromptu trumpet
solo in our cellar (first time hed "played"
trumpet). I kept him happy with a secret supply
of Bass Ale while we tried to persuade Wreckin
Balls crew to lance once and for all our
cursed carbuncle of bad booze. They werent
having any of that.
"Where
the punch man, wheres the punch dude? Were
heard the punch was awesome dude, so wheres
the punch?"
I was about to tell
this chain-jangling tattooed black leathered spiky
lot that party time was over, when Joe lent over
and whispered in my shell like a simple equation;
"Punch = Tequiza.
Tequiza = punch."
Worked like a charm
twelve bottles of fizzy sweet lime flavoured
beer shook up in a plastic demijohn and dispensed
in five plastic cups. They never knew.
And what a party
it had been. The pop rock band Gertrude had opened
up the proceedings with a wonderful 45 minutes
of all originals starting at about 9.15pm. Then
The Almighty Rogers leapt into the fray until
around 11pm with instrumental 60s soul ala
Willie Mitchell, Booker T, Eddy Harris, and 70s
soul from the realm of Meters supreme Louisiana
funk. Closed the house at 11:30pm for the gig
four blocks away with The Convulsions. The place
jumped and crackled until 1:45am and then it was
back to the house with a ride in Hollys
hearse laced with jars of Hollys cherry
bombs for another Almighty Rogers set with
the in-cellar Hammond organ blazing through the
PA until 4am. Then it was DJ time. A lot of Motown,
swing, jump-jive, Parliament, Maceo Parker, James
Brown and of course 50s rock and roll until
around 6:30am.
Its amazing
what you can cram into one night when the pubs
close at a reasonable time, and the neighbours
dont complain. Actually, saying that, there
was one complaint last summer. The police knocked
on our door at about 9:30am, a few hours after
the soiree had ended, to point out that the fellow
who had passed out face down on our front lawn
was not quite clad around the, now sun burnt,
lunar parts of his anatomy and this was causing
a little consternation to families on theyre
way to Mass at St. Benedicts Catholic church.
© Ben Ruth 22nd April
2000
Puerto Rico
Even the music in
the taxi was brilliant.
"I used to play
with "Puppy" Santiago six years ago"
the driver, one Roberto Marrero, explained.
"And hes
played with the musician you hear now."
We both listened
to Eddie Palmieri, Cuban pianist extrodinaire,
on the cabs stereo while crawling with half
of Puerto Ricos car owning population of
three million into the fortress town of Old San
Juan for a Saturday night of music.
Roberto stopped in
the middle of the street outside of the club,
and continued to chat about his previous life
as a percussionist. Five cars backed up behind
us, but no one honked their horn it appears
the population of this car crowded part of Puerto
Rico will honk at anything except the quite
acceptable behaviour of stopping in the middle
of the street.
A determination to
sit in with an all Cuban band, to feel actinic
sunshine scorch off Chicago winter malaise (the
spring has been crap here, up until now), visit
my friends who live in Guaynabo just outside of
San Juan, and to check out a job opportunity,
all seemed damn good reasons to be here. And this
Saturday night I had an invitation to sit in with
an all Cuban band at a club called "Rhumba"
(Cuban Spanish for "Shindig with percussion").
A dream about to come true.
"Puppy"
recognized me (he was on break), and sure enough
ten minutes later I was jamming with a group of
phenomenal musicians; two percussionists, a guitarist,
a flutist (who doubled on marimba), and a stand-up
bassist, who between them rocked out the Cuban
folk music. A sumptuous but hard, hard edged,
blend of rhythms blisteringly, really blisteringly
tight with Tsunami changes and a percussive crunch
that thundered like a juggernaut road race. And
this is folk music! It rocked harder than Black
Sabbath. I hung on for all I was worth
carried to a place of riffs and lines I never
knew existed but must have always been inside.
Now the way was illuminated! This bands
presence was ripping the notes and percussion
out of me and my body was wracked with the pain
of an extraordinary, and ecstatic explosion of
music I just wasnt physically prepared for!
They were that bloody good! When the lead percussionist
and I went head to head for two full breakneck
minutes of staccato changes I really thought a
heart attack was imminent.
A few folks who read
this may be familiar with The Buena Vista Social
Club, an album of Cuban musicians that was put
together by a curious and dedicated American guitarist,
Ry Cooder, and which has woken the world outside
of Cuba to a marvelous music. "Puppys"
band played a couple of tracks from that first
album, but mainly their own interpretations of
other songs all were up tempo, and played
with unbelievable stamina (I thought our band
was high energy this band put that claim
to shame). And the coolest thing of all? This
club in the heart of beautiful, and fashionable,
old San Juan was packed with students most
of whom were dancing like dervishes. This is folk
music, not house, or hip-hop, or rap. And the
kids were eating it up! Bugger! Im moving
there!!
The following Wednesday,
Id been invited to play at La Querencia
(100 Cruz) after the owner heard me playing traditional
Puerto Rican "Plano" music at a hole
in the wall called "Hijos de Borinquen"
(which means "sons of the natives" who,
incidentally, were wiped out under slavery during
Columbuss search for gold on the island
- gold never existed in Puerto Rico). A strange
experience playing solo harmonica to people eating,
but it went down well (I was unfortunately paid
in drinks and have only recently recovered the
ability to look at a rum bottle without barfing).
During a break I strolled over to Fusion and the
Parrot Club just above the port. Nothing going
on, so strolled north toward some rather loud
music. Turns out a band, replete with horn section,
had just set up on a side street with about 300
onlookers. And they were marvelous too. Great
music on this island! And the musicians are so
relaxed about it all. All you have to do
is walk up, show your organ and youre off!
Theres even
music in the bat caves! In the Karst scenery about
50 miles southwest of San Juan where sheer canyons
of 2000 feet are pocked with caves (my friend
knew a remarkable field biologist who works for
the US Fish and Wildlife Agency who took us out
there) where 300,000 bats body heat keep
their roost at a constant 96F. When they leave
to forage you can hear the music of their wings
and feel the breeze of their passing. Meantime
boa constrictors hang outside the cave mouths
hoping for a bat snack and thousands of fireflies
dance their mating rituals (insect eating bats
dont eat fireflies), while cicadas deafen,
and tarantulas creep across the leaf litter.
The women, of course,
are musical too. They are so beautiful. They walk
as if they are dancing. It makes you weep (me
at least, they would have nothing to do with me
just not the hulking latin dancing, latin
look, Spanish speaking smooth Lothario with lots
of dosh I guess). However, back to the music.
With the encouragement
of many of the Cuban musicians I met there, I
have no rush to revoke British Citizenship. Afterall,
its a pain in the arse to go to Cuba if
youre American a must see next stop
for island music.
Good
King Wenceslas bunny wearing, slave driving,
wenching tyrant.
Richard Morrison
of The London Times recently asked readers the
following question of the Christmas Carol, Good
King Wenceslas:
"Why was yonder
peasant collecting wood outside of the Good Kings
abode, if, as the page related, the peasant lived
against the forest gate why not collect
wood from the forest instead of enduring what
appears to have been Bohemias worst middle
age winter and travelling "a good league
hence" to scratch around the castle grounds?"
To whit, the bands
reply;
Although the conundrum
of the wood-collecting peasant who lives near
a forest is actually highly divisive, and has
caused major European wars first, there
is the big question of the sanity of the saint
himself.
Good King Wenceslas
was neither a king (more of a duke circa C10 actually),
nor a saint. He was, in all probability, a bunny
skinning, slave driving, wenching, tyrant and
petty overlord whos one redeeming quality
was a desire to thaw and warm the cockles of cavorting
naked women looking for a good husband.
He was not mad, simply
a man of his times trying to keep up with the
Holy Roman Empires continuing war on paganism
during the middle dark ages.
The carol explains
it all (well, hints at most of it). Our good King
doesnt really get excited about the antics
of the mendicant scrabbling outside the castle
walls until the page mentions the peasants
abode as situated near St. Agnes Fountain.
"St. Agnes!
Of course! This bloody Feast of Stephen nonsense
had me totally confused! Oh, buggering
badgers, whats the time? Ahh, theyve
already started! Its late! Quick, get some
victuals, wine, and blazing faggots by blazers,
weve got to go!!"
As most folks interested
in medieval ecclesiastical history will know,
the Feast of Stephen was an awkward attempt by
the Holy Roman Empire to cover up an ancient Celtic
pagan ritual where unwed women "performed
certain rituals to divine the identity of their
future husbands". Such rituals were usually
performed around January 20th, in heated
fountains if you could find them, and with none
of the usual impediments of the burlap nettle
weave turnip carrier that doubled as clothing
in those ancestral pre-Versace days. A saint with
a less than erotic moniker St. Agnes the
Ugly - was first created by the church to hopefully
eclipse the naughtiness that was associated with
this particular event. Unfortunately for the clerics
in Constantinople, the Bohemians who had a penchant
for heated fountains, wine, and naked naughtiness,
were not too bothered about names for their good
times. They just carried on the pagan rituals
and made fabulous sauna like use of the natural
hot springs around the Augustine retreat around
Wenceslas castle when they erected a large
all year round fountain at the hot springs in
Wenceslavania. The church tried a third time to
disrepute this event, somewhere around 930 AD,
and renamed the whole thing the Feast of Stephen
after a very large hog rearing orchard owning
prelate. All this served to do was to help start
the massive fad of apple stuffed boars heads.
The page may have
thought the wine, food, and wood was for the peasant.
Not at all! Our lecherous pseudo divinity was
simply in a hurry to follow the peasant to the
fountain, and lord it over, and help thaw out,
the large group of single ladies who would be
cavorting at St. Agnes Fountain that night. Also,
mulled wine pungently flavoured with some of the
resin from the pine logs his page was burdening
would help make a form of retsina thought by Diane
worshipping Ancient Greeks to arouse the passions
of snow exposed naked ladies looking for a husband.
Maybe a polygamous husband in this case.
And look at the hypocrisy
associated with his apparent saintly act apparent
in the whole footstep shenanigan!
"Tread gently
in my warm footsteps you lazy, good for nothing
blighter and get a move on for goodness sake will
you! The ladies are waiting!"
Were the kindly kings
actual words. The flesh the page carried was of
two snowshoe hares freshly slaughtered so the
King could wear the warm pelts on his feet. Of
course the "kings" footprints
were relatively warm, but the page still lost
several toes to frostbite because Bohemian pages,
serfs, slaves, call them what you will, did
not have the luxury of footwear in those days,
nor for several centuries hence. So much for
his masters incredibly magnanimous gesture!
The page was sacked shortly after for being too
slow on his feet now that he only had part of
them left to hobble around on.
But what about the
collecting of fuel outside the castle when the
peasant lived right next to a forest? There is
a game played in Czechoslovakia that resembles
Call My Bluff, and is called "Guess Which
Fence the Peasant Lived Under". This is also
where the wars have started from.
There were at least
three forest fences and it has never been
absolutely decided which one the serf lived by.
One thing is certain, none of them afforded simple
firewood collection.
The first fence never
surrounded a forest, but instead a foris,
a large extant of "outside" land used
by Emperor Augustine himself during forays to
the hot springs to improve his constitution and
good humour especially during the restorative
pagan spectacles around January 20th.
This fence was in fact a wall, and had long been
breached in order to build the spectacular St.
Agnes Fountain.
Maybe the Fright
of Skulls -this was a very high and scary fence.
The history of the fence goes back to a small
band of Moguls who fled Genghis Khans empire
shortly after the Great Moguls death. They
built a wall at the western extent of their fledgling
empire that incorporated the skulls of victims
they had murdered and ate during their flight.
This was grisly enough to keep most people out
of the enclave, even though the original invaders
developed an ardent taste for honey, making daisy
chains, bathing in the hot springs, and all succumbed
to a rare form of hot spring amoebic meningitis
(or bumble bee botulism). The doomed inhabitants
crawled away from the springs and into a tract
of land now surrounded by the last fence.
The last fence surrounds
a forest that did not exist at the time of the
St. Agnes Fountain heydays. A now extinct carnivorous
tree related to the oak had existed there for
centuries until succumbing to QSP (Quercus Spongiform
Phellodermititus) a crippling disease that
results in the shuddering off of bark, and falling
apart of the heart wood after the uptake of the
decomposition products of cannibalistic human
remains. The resulting mulch is not much good
for firewood.
New
Orleans and Baton Rouge (pts. 1 and 2)
There is no place I every wanted
to visit, growing up in England as I did yearningly
listening to blues records, more than New Orleans:
a mystic place blending a turbulent, decadent
history with black cat bones, mojo hands, and
the birth of blues and jazz.
My dreams of living and playing
in the crescent city became a little closer to
reality when I was finally accepted at Penn State
University, in early 1989, as a graduate student
in biology. At Penn State, I found out that I
was expected to spend all my time (summers too)
working on my degree (a Ph.D. on the "Visible
polymorphism of the outer egg mass jelly layers
of the spotted salamander, Ambystoma maculatum").
I candidly told my academic advisor that if he
could not pay me over the summer (my assistantship
extended only over regular term-time), that I
would be better off playing harmonica on a street
corner in the French Quarter of New Orleans. This
went down not at all well.
However, that is what I did that
summer (and for one hour busking outside the Jazz
Heritage Hall I made a whopping $3.50, while breaking
two harmonicas).
I hope all you fellow musicians
who, just like me, have wanted to go to New Orleans
are not too upset with my impressions of that
once great musical port city.
For starters, New Orleans smells.
Not of dew dripping Spanish Moss, and moldering
timber frames, not of okra and lotus blossoms,
not even of the pungency of Creole cooking. No,
it stinks of piss and spilled beer, of fast food
regurgitations and bursting sewers. The beggars
are blatantly hostile, angry and mean. The restaurants
serve seafood deep fried and straight out of the
freezers of chain supermarkets. The blues bands
I saw, bar one, were awful, the jazz was largely
lame. The streets were packed with rampaging youths
arseholed on go-cups of shitty beer, vomiting
and urinating in the streets.
Hooray for the French Quarter
of New Orleans! Now the only place in the continental
U.S. where it is still legal to carry a beer onto
the streets all year round. "Open container laws"
everywhere else in the States have destroyed the
culture of this once great city. It was, and largely
remains, an appalling parody of my greatest expectations.
New Orleans is not what it used to be. Its blaggard
charm is hard to find, its great music is hard
to find, its marvelous cuisine is unbelievably
hard to find ("Mother's" off St. Charles, a 24
hour rail-car po-boy sandwich emporium with it's
dripping spit roasts is a wonderfully delicious
exception - though you have to ask a cabbie to
find it).
N'awlin's tourist industry is
geared to college drunks and conference goers
who think drinking Pat O'Brian's Hurrincanes (they're
AWFUL by the way) out in the streets and to vomiting
excess is cool.
Again, the music was let down
after let down:
I saw Irma Thomas playing at an
outdoor street fair with a band as far removed
from her roots as the RnB of Anita Baker is from
the Coasters. There she is whining on the microphone
about tourists who are videotaping the show making
it hard for her to make it in the music business.
For Chrissakes, the band was as exciting as linoleum
- you would have had to pay me to record it!
A fellow Englishman staying at
the Youth Hostel was shot at in the French Quarter.
That was it. I packed my rucksack and left the
colossal roach ranch. I had stayed only three
days in the city that had been a dream of musical
adventure for over ten years. Now I was going
to hitch-hike north up Highway 61, following the
route the music had taken so many years before,
and with maybe a new understanding of why.
First stop on the route was to
be Baton Rouge. After the violent mendicacy of
N'awlins gave me concern for my safety, I postponed
the hitch-hike for this part of the trip and bussed
the 77 miles north of New Orleans instead. On
arrival, and without hesitation, I headed towards
the location of Tabby Thomas' Famous Blues and
Jazz Heritage Hall on North Avenue: a street decidedly
architecturally down-beat. Derelict actually.
A ghetto really. I mean worse than Barnsley on
a rainy day.
Then I heard it! A faint sound
of electric blues guitar drifting over the dusty
pot-holed street. This was too good! The scene
looked like a blues movie - if any decent ones
truly existed. As I followed the sound into the
setting sun and 90 degree heat the dereliction
increased, surely this "world famous place" must
be like a beacon amidst this squalor - I mean
I could hear the guitar! Then, just as I was passing
a particularly mean broken up old warehouse with
bars on the windows, I saw my goal 500 yards away.
The building was magnificent.
Neons arched over the gateway of a huge black
door. I picked up my pace. I noticed that the
guitar was sounding fainter as I hurried on. Nevertheless
hurry on I did. My expectations this time apparently
on the ball. I looked the building over several
times, too numb really to believe what I'd found.
It was a Hip-hop Palace.
A huge place, almost as blasphemous
as a gleaming white church in the grinding poverty
of rural West Virginia. A costly piece of black
exploitation dedicated to the music most popular
then in the urban ghettos of America. It was no
blues hall. I back tracked.
What a fool! I had imagined that
it was Tabby Thomas himself who had been playing
that guitar. As he warmed up in his "World Famous"
club, early on that Wednesday evening he and I
would meet across a vast cultural difference to
be united in music, as has happened on so many
occasions before. That night I would be hired
in his band. The band would boogie swamp blues
throughout the U.S and I would never again remember
another life involving the egg mass jelly of salamanders.
Well bugger that, it was obvious
that my directions were quite wrong. I was passing
by the small rusted iron door of the decrepit
warehouse, dusty, hot, disappointed, when I realized
the guitar was coming from inside the warehouse.
Sure enough, in chipping white paint above the
door was the legend: "Tabby Thomas' Blues and
Jazz Heritage Hall"! I walked inside. Before my
eyes could adjust I could smell the stale beer,
mingled with a gentle smell of sawdust and old,
old, old hardwood. On a wood stool on a black
painted wooden stage, sat Tabby Thomas, tugging
gently fluid blues notes from a Fender Strat.
(To be continued)
New Orleans and Baton Rouge
(pt. II)
The guitarman on the stool, proprietor
and owner of Tabby Thomas' Blues Heritage Hall
declined my offer to play harmonica with him.
He then proceeded to exhort at some length how
you could only play blues if you'd been brought
up a cotton picker, slaving long back bending
hours in the hot Mississippi sun. Strolling over
to the Juke Box he pointed to a signed photograph
of Sonny Boy Williamson II (aka Rice Miller),.
"All these guys on these walls
have played in this place."
It was an impressive statement.
It was an impressive photo gallery. As the strains
of Sonny Boy's "Help Me" percolated through the
dust mottled air it occurred to me that it might
be true. After all, it was also an impressive
Juke Box, and I'm sure it got a lot of playing.
The phone behind the bar rang.
Tabby Thomas reached over to answer it.
"Yes, Steve, I got you the drummer,
yes the guy's fine, I've also got a t'wfic harmonica
player just arrived in town from London. Yeah,
the cats really good - like Harmonica Red."
Did he mean me? Surely not. Tabby
Thomas hadn't even heard me play. Who was "Harmonica
Red"?
"You'll like Steve, just come
over from Spain. He's looking for Slim Harpo's
grave to finish writing an article for "Living
Blues" magazine. This new guy he's found though,
needed a drummer. I told him you would like to
play harmonica with him too. You can play, right?"
So there it was. A gig. Not just
any gig, but a gig in a bona fide blues club in
the deep, deep south, all lined up without an
audition!
Imagine my surprise when Steve
Coleridge turns out to be a bass playing tax evader
from Sussex who moved to Spain to get away from
the IRS, fell in with a gorgeous gypsy called
Andrea (Andrea played a hollow body 1964 Gibson
- I still have a tape somewhere of us both playing
one of her songs) and then came to the States
so they could be closer to the blues.
And what a gig! We played Slim
Harpo. We played Jimmy Reed. Muddy Waters. Little
Junior Parker and Bobby Blue Bland. We played
some stuff I'd never heard before. But we played
all blues and RnB (not one hip-hop song in the
set). The band burned. After one and a half hours
even I was thinking of a break. There was no break.
We played for four and a half
hours straight until the lights came on.
Now it was pay time. When it was
the turn of the "hot harmonica player from London",
I received a whopping $7.50. Not much more than
the $3.50 I'd made busking in New Orleans a few
days before. Steve gave as much as he could to
the musicians he'd discovered in Baton Rouge,
many of whom had little means. What he gave me
was what he gave himself.
I spent ten days in Baton Rouge,
mostly at Steve and Andrea's place. We played
every night. Either in the band I'd played in
that first night, or Clarence Edward's group,
or sometimes a zydeco band called "Short Fuse"
fronted by Rudy Richard on accordian. One of Slim
Harpo's lead guitarists, Rudy was a cheerful player
who's only regret was that he'd received virtually
no recognition as one of Slim Harppo's sidemen.
On the few nights we didn't have a gig there was
always an open blues jam somewhere in Baton Rouge.
Baton Rouge (Exxon plant aside) was beautiful
and lazy.
Most days I would get up around
11am, head down to the corner store, buy a 6 pack
of Abita Amber Ale, half a pound of cheese, and
a loaf of french bread, and head out to the Louisiana
State University lake where I would catch 10,
or more, channel catfish (on the cheese). We had
catfish dinner every night. I found a great recipe
on the back of a packet of cornmeal (marinate
the catfish fillets in milk, vinegar, and baking
soda, rub the fillets with mustard then coat with
cornmeal mixed with chili powder and paprika.
Pan fry until golden. Yummy!).
Baton Rouge was so lush, humid
and fragrant. Here was the Spanish moss dripping
from oak trees with branches that bowed down to
the ground and then up again. Cyprus trees looming
prehistorically out of the bayous, magic places
charmed with lotus blossoms like perfect kisses.
Okra flowers, vines, and fruits in abundance.
And heat, heat, heat. The heat that drips you
in the morning, burns you in the day and cloaks
you at night. Heat and night noise! If you walked
out to the woods at nihgt it was so loud it eclipsed
the music coming from the club. Ululating amphibian,
insect roar.
The Turning Point. This was a
gig that Steve was very excited about. Used to
be the place where Buddy Guy first made his mark
as a Baton Rouge guitarist. We played their two
nights with Clarence Edwards. The first night
Mr. Edwards was Muddy Waters. I have never had
such an eerie experience - suddenly feeling closer
to Junior Wells and Little Walter as never before.
We played on the red carpet of a bar no bigger
than most folk's living room. The entire night
I had goose bumps but there was no A/C. A Hells
Angel couple in their 40's saw Steve and I hanging
outside the club and pulled up on their Harley
to inquire if there was a band playing. When they
found out that it was a black neighbourhood they
were somewhat hesitant. By the end of the night
they were dancing with everyone else. The night
finished with the four Neal brothers doing an
a capella harmonica rendition of Jimmy Reed's
"Honest I Do" (later that year Kenny Neal got
signed with Alligator Records and released "Bayou
Lightning" - in my mind a sadly, but typically,
over produced soulless blues record that was thousands
of miles from Baton Rough).
I've never come across a place
that worshipped the blues quite as much as Baton
Rouge. Jimmy Reed and Slim Harpo are revered in
the music there every night. In ten days it won
a place in my heart and a constant yearn to return.
Bottom line, however, was that I was making very
little money, spending more than I made, and I
still had Memphis, St. Louis, and Kansas City
to explore.
A year later, I did return though,
and even toured with Steve's two bands for two
weeks through Mississippi, Alabama, and even New
Orleans (where I met Eric Burdon, a personal hero
of mine, at The Maple Leaf club, but of course
didn't realize until later). I never found out
if Steve finally found Slim Harpo's grave. He
went on to form a Record Label, produce several
albums (e.g. Clarence Edward's, "Swamps The Word",
and Short Fuses', "Sting It"), and play in virtually
every blues club in the U.S.A before the Immigration
Naturalization Service finally caught up with
him, and tossed him out.
I would love to know where they
both are.
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