Apartment Review

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ApartmentApartment
S/T

By Ellen Stenard

 

Apartment has all the eerie charm of an Edward Gorey book. Classically twisted, perky and dark, the juxtaposition of so many opposing qualities draw you into these songs even when they most disturb you. With an unconventional mix of instruments, this self-described "chamber punk" quintet could have fallen from a David Lynch soundtrack. Moaning tubas, synthesized marimbas and warm cello notes play with jazzy percussion and pop-rock guitars. The beauty of this album is that despite all its polarized elements it feels completely cohesive and at peace with its extremes.

Vocalist Caila Lipovsky is one part beat poet and one part Kate Bush protege. She can read her lyrics like a fairy tail or wail with complete anguish, often fluttering between these two extremes with great agility. Her lyrics are spunky and funny and often political. Her biting wit is best illustrated by her retort to "your momma" jokes in the closing track "Momma" where she demands to know how her imagined antagonist got to know her mother well enough to judge her. When she combines her talents with Christine Heinisch on background vocals the duo chirp and croon through harmonizations with the rhythmic precision of an opera chorus.

The recording quality on this EP is very good. Engineer Mike O'Connell managed to maintain both the warmth of the classical instruments and the power of the synthesizer and drums. Even at the edges of the album’s dynamic extremes the synthesized instruments still blend with the tuba and cello. As Apartment rolls through each song on the CD I can almost picture the impish stage antics that I think would have to accompany such lively and imaginative music.



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