| The Convulsions, it should be noted
upfront, play no down-tempo songs.
The Chicago-based "British R&B"
band, headed by English ex-pat Ben Ruth, is nothing if not energetic. Their first CD, Shaken
and Disturbed, is from track one to track 13, a raucous, adrenaline-stoked jam fest
with a half-crazed, alcohol-soaked party sound that mixes the driving beat of early
British Invasion R&B, the hard-partying wail of post-electric American blues, the
bass-and-brass swagger of funk and ska, and the smart, challenging instrumental
spontaneity of late-Miles jazz, all played at headbanging speed.
It's sort of like designing a strong mixed drink
specifically to kill the brain cells of music fans who know enough to pick up all the
varied musical references.
This sound of this CD clearly has more to do
with the culture of the pub live show than the carefully crafted studio session. Several
tracks were recorded live. The character of the concert reminds me of early Madness shows
in the 1970s: tons of goofy energy, with lyrics belted in a cockney beyond the listener's
comprehension. This show, however, directs more of the focus on the musicianship.
Several tracks are instrumental, with genuine
improvisational jazz spirit.
Ruth, who reportedly came to Chicago to seek out
the sort of blues that inspired him as a young man, drives the jams with a mean harmonica.
His frenzied ascensions on the high notes of the harp scale will remind most listeners of
Blues Traveler's Johnny Popper. He also underscores tracks with hammond organ.
The CD label assigns mini-descriptions to each
track that give a sense of the range of styles: the manic harp-driven lead track "I
Think I'll Pass" is dubbed "rip rock length." The brass-coated "Walk
With Me" is termed "Ska Radio play length." The band's soulful side is
reflected in "Swear It's Not You (Mowtown Length)." "50 Pounds" (which
actually weighs in at only 5 minutes) is named "Modeski, Martin & Wood
length."
To compare oneself to Modeski, Martin & Wood
(not to mention Miles Davis) is to set a pretty high bar, but it's difficult to dislike
anything about the album because any sloppiness can easily be chalked up to the band's
propensity to get caught up in the convulsive spirit.
The band plays rock and jazz clubs alike--and
even the Old Town School of Folk Music.
A Waterdog Records exec has said the Convulsions
are the live band to which they compare all the live shows the label considers (even
though "Shaken & Disturbed" is not a Waterdog product). That's a high
recommendation, and an easy one to understand after hearing this CD.
The Convulsions Web Site
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