This energetic Latin rock album is a guaranteed booty
mover with lots of upbeat salsa rhythms and rocking guitars. Not being a connoisseur of
Latin music, I am unable to draw close comparisons to many other artists within the genre,
but I dont think even the most versed Latin expert would deny that Rico bears a very
close resemblance to present day Santana. Guitarist Ricky Bakers melodic riffs
dominate this album. His moody intro to "Surrender" is the perfect example of
his skillful and tasteful playing style. It is very refreshing to hear a guitarist who
knows his place within his ensemble as well as Baker does. He creates interesting fills
and solos without ever stepping on the vocalists or other instrumentalists
work. I was very thankful that the band gave him an entire song, the soulful "Loving
You", to play with.
The rest of the Rico ensemble is made up of a tight group of percussionists,
keyboardists and a group of vocalists who alternate between Spanish and English. Rico
loves to mix innovation with tradition by throwing a little funk into their Latin. The
keyboards on "My Lady" are almost Stevie Wonder and the percussion and vocals on
"Ya Viene" are almost P-Funk. The later ended up being my favorite track both
for its message of racial harmony, a subject that seems less common in Latin rock than hip
hop or rock, and for its short bursts of rap and funk vocals.
Casa De Tambores was recorded with the utmost of precision. Each percussion instrument
is given a distinctive pan, creating the perfect aural illusion of being surrounded by a
pack of dueling conga players. The synthesizer sounds on "Surrender,"
"Catch 22" and a few other tracks sound a bit dated at times, but then again, it
almost fits with Ricos tendency to draw on retro 70s and 80s influences.
This is a Latin rock album that will please lovers of pop, rock, funk and dance, and give
a funky spin on convention for the Latin traditionalists.