The All Rectangle Review

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The All Rectangle - Ke Ala Mano (The Way of the Shark)

The All Rectangle
Ke Ala Mano (The Way of the Shark)

By Phil Mosberg

 

Listening to Ke Ala Mano (The Way of the Shark), the debut from The All Rectangle, one would never guess that this cornucopia of sounds was being produced by less than a handful of musicians. Tightly wound bass vamps slink along underneath propulsive drumming while a conglomeration of sounds and melodies float over the top of it all. While it may be hard to believe, in fact there are only three full time members of this group: bassist Alana Rocklin, Brad "Kali" Bowden on electronics, and Derek Crawford on drums.

The trio is aided by several special guests on the recording, most notably trumpeter/composer Mark Kirschenman, present of 3 of 5 compositions, whose trumpet includes a contact microphone inside its mouthpiece that enables him to create some amazing sounds and textures. The second tune, "Little Friend" contains a truly nasty improvisation that I can only assume Kirschenman is responsible for as no guitar player is credited on the track. He is able, with the help of his modification, to create sounds not usually associated with a linear instrument such as a trumpet including, as on "Little Friend", distorted power chords.

Throughout the recording, tunes alternate between a series of vamps held down by the rhythm team of Rocklin and Crawford while Bowden is given free reign over the top for his electronics and keyboards. However, this band is more than just simplistic patterns holding up wandering sonic experimentation. Strong melodies abound on Ala Ke Mano such as on the driving "Dr. Such and Such", which also features a nice bass improvisation by Rocklin. While comparisons to 70s era Miles Davis would be the easy way out, there's more involved in The All Rectangle than just funk-fusion. Abstraction mingles with the obvious in ways that keep the mix interesting. The 15 minute "El Toro", featuring guitarist Fareed Haque, begins with very open, spacious sounds that take off around the 10 minute mark into a post-bop guitar work-out for Haque. And "Pinky Taun Taun" opens with a riff that Black Sabbath would be proud of, then takes off into uncharted territories.

The All Rectangle create some truly satisfying moments on this debut.  It will be interesting to watch their future to see where they take the next step. This is a very strong first chapter.


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