| As The Gelheads emerged from the backstage
confines of Chicago's Metro, a somewhat skeptical crowd hesitated in applauding their
arrival. However, after only one song, the entire club had been won over with a unanimous
approval. Throughout the course of their set, the Gelheads displayed a competent,
well-composed style of radio-friendly pop/rock seemingly geared towards the more
adolescent members of the audience. In general, their appearance was that of the
clean-cut, well-mannered young adult ensemble that is so popular these days - dress pants,
button-down shirts, neck-ties, and slicked hair (with the exception of a bald drummer).
The sound quality was decent, but a louder rhythm guitar and more audible backing vocals
would have been helpful. Midway through the set, the lead guitarist/vocalist (who did have
some fancy licks) had to stop playing and retune his guitar, which slightly marred an
otherwise enjoyable performance. Despite this technical shortcoming, the Gelheads still
managed to soldier on, unfazed.
The bass player (who bore a striking resemblance to Sylvester Stalone) was easily the most
amusing portion of stage. Thrashing along to every song he seemed to display the strongest
conviction, have the most fun, and make the most eye contact. Nearly equal in his presence
was the well-shorn, energetic drummer who even went as far as to trash his set upon the
show's conclusion ala Keith Moon. Instrumentally, the drumming was the most impressive
part of the Gelhead's routine.
Although their musical style came off as anything but original, each song seemed to have
an identity of its own within the pop ambiguity. A new tune entitled, "Enough for
You", highlighted the night's set with a clean, reflective intro building up to an
explosive guitar solo and concluding with a burst of passionate screaming. It's obvious
that this band could go on to bigger and better things, but until they begin creating
music that is fresh and original, they will most likely continue as a supporting act.
All Photos Provided by Beth Shandles ©
2004
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